When Howdy kidnaps and tortures the daughter of police Detective Mike Gage, he is caught. What, so now you want to know what the movie's about? Here's the plot: "A pierced and tattooed sadist, Captain Howdy, trolls the Internet for naive teens, luring them to his home to torture and defile them.
#Watch strangeland movie
Released October 2nd, 1998, 'Strangeland' stars Kevin Gage, Elizabeth Peña, Brett Harrelson, Robert Englund The R movie has a runtime of about 1 hr 26 min, and received a user score of 48 (out of 100) on TMDb, which compiled reviews from 94 experienced users. Now, before we get into all the details of how you can watch 'Strangeland' right now, here are some specifics about the Shooting Gallery, Snider Than Thou Productions Inc. We've listed a number of streaming and cable services - including rental, purchase, and subscription choices - along with the availability of 'Strangeland' on each platform when they are available. While that knack for a catchy pop melody is a reminder of at least one thing Keane used to do well, it isn’t enough to keep Strangeland from being the kind of failure that will take more than some positive motivation to shake off.Yearning to watch ' Strangeland' on your TV, phone, or tablet? Hunting down a streaming service to buy, rent, download, or watch the John Pieplow-directed movie via subscription can be a huge pain, so we here at Moviefone want to help you out. Songs like “On the Road” and “Neon River” may want for lyrical hooks, but their tunes are still memorable and robust. Truly the only thing the album has going for it is a strong sense of melody. Whatever Keane’s goals for the album may have been, the fact that-with the notable exception of “Black Rain,” a bald-faced stab at Hail to the Thief-era Radiohead- Strangeland sounds every bit as dated and overblown as the singles from Cher’s “rock” phase is inexplicable. Lead single “Silenced by the Night” is even worse: With the heavy-handed mixing on the keyboards and percussion tracks, it’s as though Keane and Grech-Marguerat were inspired by Cher’s “Love and Understanding.” The synth line on “Day Will Come” and the campy background vocals on “Watch How You Go” make those songs sound like genuine relics of the ‘80s rather than an homage to the era. The execution of that plan, however, is just a disaster. Working with Dan Grech-Marguerat, Keane look to split the difference between the piano-driven, MOR sound of their first two albums and the late-‘80s style of Perfect Symmetry. The hollowness of Strangeland’s I’m-okay-you’re-okay writing might be a more forgivable offense were the album’s production not so consistently garish. Even the mopey “Black Rain” has some awkwardly worded advice to dispense: “If you’ve got love/You’d better hope that that’s enough.”
“Day Will Come,” a recitation of clichés, has no real narrative or emotional conflict, and neither “On the Road” or the similarly themed “The Starting Line” bothers to develop the sense that anything tangible is at stake for the “you” that Chaplin addresses, so the vague promises of lights that lie ahead and of finding a better life on which the songs hinge are simply rote. Most of Strangeland consists of anonymous platitudes that are too empty-headed to be uplifting. However puzzling that choice may be, at least it shows some degree of creative intent. Opener “You Are Young” forces vocalist Tom Chaplin to shoehorn the line “You’ve got time to realize you’re shielded by the hands of love/Because you are young” into the song’s meter, while the ridiculous climax of “Sovereign Light Café” finds him shouting, “Yeah, I’m going where the people know my name,” recasting the song as a dead-serious spin on the theme from Cheers. That isn’t the case on Strangeland: Far too many of the songs are marred by mixed metaphors and awkwardly constructed lines that speak to the overall sloppiness of the album’s writing. With a tracklist that reads more like a list of chapter titles from a self-help book than actual songs, Strangeland plays as though the band is trying to give themselves a pep talk-and at this point, they desperately need one.Įven at Keane’s peak, principal songwriter Tim Rice-Oxley’s songs teetered on the verge of being overwrought and maudlin, but there was at least refinement in their construction. Unfortunately, the AAA radio mainstays’ fourth full-length effort, Strangeland, only mires the band (now a quartet, thanks to the addition of bassist Jesse Quin) further in an identity crisis.
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Keane alienated a good half of their fanbase with the chintzy, ‘80s-inspired Perfect Symmetry and then proved they had no idea how to right the ship on 2010’s dreadful Night Train EP.
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